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"EL NACIONAL" Reinvindicación de las convicciones Teatrales"

Rafael Fuentes La tesis de "EL NACIONAL"

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27/06/2012 | 12:07

"La primera diana contra la que apunta Els Joglars en El Nacional —o al menos, la que ocupa el primer plano de la obra- es el monumentalismo de la ópera, cuyas faraónicas puestas en escena acaparan la casi totalidad de las subvenciones que la administración otorga al teatro. Albert Boadella ha puesto mucho énfasis en esa crítica al despilfarro operístico en sus más recientes entrevistas, tras el estreno de la segunda versión de El Nacional. Si su objetivo fundamental fuera este, la obra de Els Joglars no pasaría de ser una ilustración escénica de la célebre diatriba de Émile Zola contra el entretenimiento de lujo de la ópera parisina, en su opúsculo “Sobre las subvenciones”, recogido después en El Naturalismo en el teatro. Allí Zola confesaba: “Encuentro desesperante que se hayan alojado acrobacias y demás piruetas en ese palacio de oro y mármol que aplasta la ciudad....."
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