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EL NACIONAL : En defensa del Teatro Puro por Milagros Sánchez Arnosi

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04/09/2013 | 00:23

En este apartado tenéis el link para acceder al estudio íntegro que ha realizado Milagros Sánchez Arnosi sobre el espectáclo "El Nacional" que aparece publicado en la revista de Investigación Teatral "Don Galán" revista audiovisual de Investigación de las artes escénicas  y que pretende  abrir nuevas vias de Interpretación sobre la escena española de los siglos XX y XXI

Aquí un pequeño esbozo

“El Nacional” reflexiona sobre teatro dentro del teatro, de ópera, un juego metateatral (…)Gracias a ello podemos establecer el concepto que del mismo tiene Boadella y que es la marca, la identificación de la compañía, expresado a través de su alter ego Don José Rechazo del teatro grandilocuente […] este es un oficio de putas, cabrones y maricones. Y su grandeza está en que las putas hacen de Virgen, los cabrones de héroes y los maricones de don Juan. ¡Esta es la auténtica magia del teatro, señorita! (…)- El teatro es un ritual litúrgico, sagrado(…)- El teatro no debe ser una imitación de la realidad, no es el espejo de la vida. El arte es convertir la miseria humana en tragicomedia para lo que es fundamental el humor usado para satirizar las situaciones más dramáticas(…) Defensa del silencio como manera de comunicar más eficazmente que con la palabra.

La sección donde se encuentra el artículo y la grabación de El Nacional es: http://teatro.es/contenidos/donGalan/donGalanNum3/analisis.php?vol=3&doc=5_1

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