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EL NACIONAL : En defensa del Teatro Puro per Milagros Sánchez Arnosi

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04/09/2013 | 00:23

En aquests apartat teniu el link per accedir  a l' estudi íntegre que l Milagros Sánchez Arnosi ha fet sobre l 'espectacle "El Nacional" i que surt publica a la revista d' Investigació Teatral "Don Galán" revista audiovisual d' investigació sobre les arts escèniques i que preten obrir noves vies d' Interpretació sobre l' escena espanyola del segles XX i XXI .

Aquí un petit esboç

  “El Nacional” reflexiona sobre teatro dentro del teatro, de ópera, un juego metateatral (…)Gracias a ello podemos establecer el concepto que del mismo tiene Boadella y que es la marca, la identificación de la compañía, expresado a través de su alter ego Don José:
- Rechazo del teatro grandilocuente […] este es un oficio de putas, cabrones y maricones. Y su grandeza está en que las putas hacen de Virgen, los cabrones de héroes y los maricones de don Juan. ¡Esta es la auténtica magia del teatro, señorita! (…)- El teatro es un ritual litúrgico, sagrado(…)- El teatro no debe ser una imitación de la realidad, no es el espejo de la vida. El arte es convertir la miseria humana en tragicomedia para lo que es fundamental el humor usado para satirizar las situaciones más dramáticas(…) Defensa del silencio como manera de comunicar más eficazmente que con la palabra.

La secció on es troba l' article i la gravació de "El Nacional es: http://teatro.es/contenidos/donGalan/donGalanNum3/analisis.php?vol=3&doc=5_1

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